Clara Daws
The Second SexClara Dawes is a lover of Paul whose relationship with him offers moments of joy beyond the couple’s separate selves, but whose desire to possess him prevents that intimacy from lasting. Her brief arc illustrates the book’s distinction between erotic connection as mutual openness and love narrowed into personal appropriation.
Identity and Narrative Context
Clara Dawes appears in an analysis of how lovers may meet one another without treating the other as an instrument or possession. The account places her beside Ursula and Birkin, whose ideal is described as a reciprocal “star-equilibrium,” and contrasts her relationship with Paul against his earlier involvement with Myriam. The emphasis is not on Clara’s independent biography, which the text does not provide, but on what her relationship reveals about the limits of possessive love.
Relationship with Paul
After Paul distances himself from Myriam, he seeks a different balance with Clara. She is described as beautiful, lively, and animal, and as giving herself unreservedly. Their love brings them moments of ecstasy that surpass both individuals, suggesting an experience larger than either partner alone. In a related account of such mutual encounter, Paul and Clara’s meeting is set amid the surrounding life of the natural world; the scale of the moment quiets Paul and makes their union seem to include more than the two lovers.
Possession and Loss
The opening of shared joy does not become a stable equality. Clara does not understand the revelation Paul experiences in their intimacy: she believes the joy comes from Paul’s uniqueness and consequently wants to appropriate him. The desire to keep him for herself undermines the very openness that made their connection expansive. The account therefore distinguishes the ecstatic possibility of their love from its possessive outcome: Clara does not lose Paul because the relationship lacks intensity, but because she tries to make that intensity belong to her alone.
Thematic Significance
Clara’s brief portrayal serves a wider argument about freedom and erotic relations. The text imagines lovers as capable of encountering an other without annexation, but treats individualized, possessive love as a return to egotism. Clara’s story sharpens the contrast between an encounter that exceeds both partners and a bond that turns the beloved into something to be claimed. Her significance lies in this reversal: unreserved giving opens the possibility of shared transcendence, while the wish to possess Paul closes it.